賽巴斯提安是一名同志空中飛人，他享受於馬戲團的刺激人生。如今他是團裡年紀最大的空中飛人，每一次表演都可能是他的最後一次，未來充滿未知數。這部動人的紀錄片，捕捉了充滿青春理想的跳躍瞬間。

賽巴斯提安是一名同志空中飛人，他享受於馬戲團的刺激人生。如今他是團裡年紀最大的空中飛人，每一次表演都可能是他的最後一次，未來充滿未知數。這部動人的紀錄片，捕捉了充滿青春理想的跳躍瞬間。

随意复制胶片，直到它成为光的斑点和污迹后，墨菲把镜头安排为算术样式，这由隐约可见的图像发展到可识别的图像，然后再返回到抽象。

随意复制胶片，直到它成为光的斑点和污迹后，墨菲把镜头安排为算术样式，这由隐约可见的图像发展到可识别的图像，然后再返回到抽象。

A fascinating look into the lives and thoughts of seven queer pan-Asian Canadians as they look back on a 1984 documentary in which they featured. How have they changed? And how has the world around them evolved and changed? 　　In 1984, Richard Fung released his seminal first documentary Orientations: Lesbian and Gay Asians. Featuring 14 women and men in Toronto of South, East and Southeast Asian backgrounds, Orientations was the first documentary to explore the experiences and perspectives of queer Asians in North America. Capturing pivotal moments in Toronto’s history, it presents an intimate portrait of the texture of gay live and politics at that time. Re:Orientations revisits seven of the original participants as they see anew the footage of their younger selves, and reflect on their lives and all that has changed over the intervening three decades. Their interviews are deepened and contextualized by conversations with six younger queer and trans activists, scholars and artists.

A fascinating look into the lives and thoughts of seven queer pan-Asian Canadians as they look back on a 1984 documentary in which they featured. How have they changed? And how has the world around them evolved and changed? 　　In 1984, Richard Fung released his seminal first documentary Orientations: Lesbian and Gay Asians. Featuring 14 women and men in Toronto of South, East and Southeast Asian backgrounds, Orientations was the first documentary to explore the experiences and perspectives of queer Asians in North America. Capturing pivotal moments in Toronto’s history, it presents an intimate portrait of the texture of gay live and politics at that time. Re:Orientations revisits seven of the original participants as they see anew the footage of their younger selves, and reflect on their lives and all that has changed over the intervening three decades. Their interviews are deepened and contextualized by conversations with six younger queer and trans activists, scholars and artists.

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

举世闻名的古腾堡是德国活字印刷的创始人，他不仅是一个发明家，也是一个商人。他一生最伟大的成就便是创造了德国的活字印刷——一个彻底改变信息沟通方式的革命性工具。但对于这位创始人我们又了解多少呢？他又是如何创造出这项发明的呢？就像一本悬疑小说，古腾堡的一生充满了谜团：我们不知道他的出生时间，也不知道他的逝世时间；他没有留下任何文字、任何签名，甚至 连肖像画都没有；他没有在自己印刷的书中留下痕迹。古腾堡留下的空白历史引发了人们对他的多方臆测。那么，真实情况究竟是如何的呢？